Lunation: The Cold Moon and an Ink Painter in Modern China

Tao Lengyue 陶冷月. Ancient buddhist cave at Jinfoshan (Jinfoshan gufodong 金佛山古佛洞). 1932. Black and white photograph; 7.8 x 12 cm. Courtesy of Tao Weiyan.

This photograph is featured in a forthcoming article in Archives of Asian Art 75, no. 1 (April). The article is about times of crisis, waiting, and hope.

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Published by: Lisa Claypool

I am a garden-variety art historian and curator who is lucky enough to work with some amazing artists at the University of Alberta. My research focus is early twentieth- and early twenty-first century Chinese art and design. DESIGN AND SCIENCE IN MODERN CHINA came out in 2024.

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