C-Dramas

I am a historian of Chinese art and design. Chinese is my second language (I have some Japanese, but I rarely use it anymore, so it’s rapidly disappearing). During the pandemic, I became addicted to C-dramas. My favourites are big-budget series such as 知否知否 Story of Mulan,三体 The Three-Body Problem,长安十二时辰 Chang’an 24, and smaller-scale dramas such as 棋魂 Hikaru no Go. They have smart scripts and acting, and the camera work is fresh. There are many shows that I watch and then rewatch. But if you only encounter the general run of C-dramas (the true melodramas, also fun in their own ways, especially if there is flying/wire work involved), expect to see at least three or four of the following:

  • The whole plot is shown in the beginning and ending credits
  • An intense conversation at a riverbank
  • A twisted ankle (not necessarily the female romantic lead, sometimes it is the male)
  • Underwater kiss or kiss of life because of near drowning
  • Childhood encounter with romantic partner, but only one of them remembers it
  • Getting drunk and revealing too much
  • First kiss is always––always––interrupted
  • One of the main romantic leads dies at the end
  • If it’s a court intrigue there’s a low-flying birds’ eye shot of the palace quarters; if it’s a contemporary drama in Shanghai, there’s a high-flying shot of the Bund and the Oriental Pearl Tower at night
  • One or the other of the romantic leads loses his or her memory for a span of time
  • One of the main characters masquerades as someone else and often there are actual masks involved
  • One of the romantic leads trips and falls on the other romantic lead and their lips accidentally touch briefly, and both consider this to be a kiss
  • The wind blows through curtains and hair when there’s strong emotions
  • Or fireworks go off
  • A third person jealously manipulates the romantic leads
  • The manipulative third person always is assured by the unrequited love interest that the feelings between them are those of an older brother to a younger sister (or variations)
  • The darker, usually evil, side wears black and red
  • If you turn to the dark side, you start wearing dramatic eyeshadow and crimson lipstick, and sometimes you get cool tattoos
  • The good side wears whites and pastels
  • White clothes always are white, no matter what happens to the person wearing them
  • Practically every wound or fever requires a trip to the hospital or a consultation with a doctor
  • If a fantasy, historical, or court romance, the couple always goes to the highest available point at night for moon-watching
  • Massive amounts of drinking on rooftops
  • Men wear more makeup than women (which I love, personally)
  • Everyone wakes up in the morning looking refreshed with a perfect full face of makeup
  • Blood is always the missing element for some potion they’re trying to make
  • There’s coughing or spitting blood (red means internal injury to the meridians, black means poison)
  • Any car or carriage trip begins in the daylight hours and ends in twilight
  • Whenever a character says “I’m not hungry,” the next thing to happen is the sound of that person’s stomach growling
  • Someone gets hungry and eats enough for three people, easily
  • Characters vomit on screen

Happy C-Drama Watching!

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Published by: Lisa Claypool

I am a garden-variety art historian and curator who is lucky enough to work with some amazing artists at the University of Alberta. My research focus is early twentieth- and early twenty-first century Chinese art and design. DESIGN AND SCIENCE IN MODERN CHINA came out in 2024.

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